По-русски

Casus Novae

A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.

28 October 2024
View
mainImg
DNS City is planned on a 125-hectare site located 40 km north of Vladivostok, in the settlement of Novoe. Currently, there is no development on this land, but the plan envisions housing for 25,000 residents.

DNS City. Location plan (simplified)
Copyright: © Open Urban


Everything seemed fine until the master plan, developed by the firm Open Urban, began to be transformed arbitrarily once implementation started. Maria Elkina reported this on her Telegram channel and other social media platforms.

She was further supported by Elena Gonzalez, who had worked on the Open Urban master plan:

“I rarely write about my work because if I do, I have to write a lot in detail, and I just cannot afford the luxury of time. But this is one of those cases where it’s not about time but about the project. I won’t say that the original project was perfect (or even close to it), but it was by all means well thought out. The Spanish team worked seriously on it, and later, many things were carefully refined and adapted to the existing terrain. And then, suddenly, right out of the blue, we see a new master plan. For the record, I’m the last person in the world to be suspected of disliking micro-districts as such, but that’s not the issue here. It reminds me of a Soviet joke where a foreigner spends ages explaining to a waiter exactly how he wants his steak – medium-rare, but closer to medium, with pepper but no salt, and so on. The waiter patiently listens, nods, then heads to the kitchen and yells to the chef, ‘One cutlet, coming right up!’ That’s exactly how this feels”.

It must be said that this artfully describes a very familiar situation, one that repeats over and over again. So many projects have been lost this way – where the final product vaguely resembles the original vision, but only very distantly.

We also asked the head of the design team behind the master plan for a comment.

The primary goal of the Master Plan is to establish a foundational guideline, a standard that ensures high quality of life and target performance indicators for the project. These guidelines cover not only zoning and building types but also requirements for architectural parameters and landscaping. Since the project will take a long time to implement, we understood the importance of setting regulations for street network designers, architects, and landscape developers. A departure from this systematic approach carries serious risks for the project’s successful realization.

It’s crucial to focus on the implementation of the block structure (defining the boundaries between private and public spaces), the creation of vibrant city streets with active commercial frontages, and working with the terrain to form true city streets with direct access to the ground floor. Preserving the ‘green fingers’ with access to educational facilities without crossing traffic lanes, providing alternative pedestrian routes, and addressing parking solutions early in the project’s execution are all essential elements.


As things stand now, it seems that the aspects mentioned in the second part of the comment are no longer on the client’s agenda for implementation.

Below, we present two sheets from the album illustrating the key landscaping decisions. The main idea was to only fill in part of the ravines, while the rest would serve as the foundation for park spaces. The terrain was preserved in the master plan, and pedestrian bridges were supposed to span the ravines. In the latest version, the lines of the ravines remained, but the bridges simply disappeared.

DNS City. Sheets from the master plan album illustrating the main landscaping solutions
Copyright: © Open Urban


DNS City 2022 and 2024
Copyright: On the left is a mockup of the latest version of the master plan from Open Urban, on the right is a clip from the DNS City project website, 2024


Next up, we publish Maria Elkina’s Telegram post in full:

“Another disappointment, this time in Primorye, and in a situation where nothing seemed to foreshadow trouble. For some reason, the DNS company replaced a rather successful master plan for their ‘city of the future’ with a blatantly unsuccessful one, almost like a generic ‘Kudrovo’.

Several years ago, they had the idea to build a city approximately 40 kilometers away from Vladivostok in a “territory of advanced development”. A private client, whose primary business isn’t in constructing affordable housing, was already enough of a promising sign. Another good indicator was the very competent planner. Initially, it was the Russian branch of the Spanish urban planning firm Citythinking, and by 2022, it had become the independent team that named itself “Open Urban” (so we seemed to have overcome that hurdle as well).

In general, both Citythinking and later Open Urban specialize in parametric urban design. Based on the configuration of the road network, the mix of functions in the buildings, the density of development, and other important factors, they can predict with reasonable accuracy how vibrant the environment will be and how it will operate. In other words, they don’t claim to create a masterpiece, but they can guarantee that their project, developed in this way, will be 100% fail-safe – people will live in it and walk around it, commercial spaces will be filled, children will play in playgrounds, lovebirds will hug in the park… you get the picture.

And they did find a solid solution for DNS city as well. They created a fairly dense environment, elegantly preserved the natural landscape so that it became an integral part of the area, and smartly located public spaces, having calculated the convenience of human and traffic flows in advance. I’ve seen how this works in the Moscow region – it works quite effectively.

DNS City. Master plan
Copyright: © Open Urban


In Primorye, the core structural element of the solution was the creation of a block grid, which primarily ensured the convenience and liveliness of the streets. To describe it very roughly, the city’s layout followed a similar principle to that of old St. Petersburg, Vienna, or Paris, adjusted for the landscape and incorporating larger, more modern public buildings.

DNS City. Master plan
Copyright: © Open Urban


DNS City. Master plan
Copyright: © Open Urban


DNS City. Master plan
Copyright: © Open Urban


DNS City. Master plan
Copyright: © Open Urban


The project got all the mandatory approvals, which seemed like the third and final lucky prerequisite needed.

Then, something went wrong – and it’s important to understand why – and DNS decided to radically redo the project in their own rather crude way. The placement of public buildings was changed, and the architectural quality, based on the published renderings, noticeably declined. The most significant alteration was that the block system was disrupted, turning the design into something reminiscent of Soviet-era neighborhoods from the 1970s.

I don’t necessarily believe, as many do, that Soviet neighborhoods (or “micro-districts” as they were called back then) are inherently bad and that modern blocks are always better. In fact, I tend to think that designing a good micro-district is much harder than designing a successful block. Blocks are a universal solution that almost always works. The real issue with DNS City is that the structure of the development was only partially and sporadically altered, resulting in a hybrid where there are neither proper city streets nor well-designed pedestrian spaces.

I sincerely hope that this situation sparks a full-fledged professional discussion. I believe it’s not about pressuring the client but about convincing them and other stakeholders of the importance of executing the project the way it was originally conceived – not for the architects’ sake, but for themselves and the people who will live there, and the people of Primorye Region in general. To start, it’s probably necessary to simply raise public awareness.

Then, DNS City presents yet another important reason to discuss the fact that, currently, there is no legal framework in place to ensure the quality of implemented projects in our country, although there is a strong need for one. It seems that no one, except architects and urban planners themselves, will push us closer to this bright future.

In essence, I see this as an opportunity for public discussion – it certainly won't harm anyone and is highly likely to be beneficial.

You can view the second-to-last version of DNS City here, and here is what it has become”.

28 October 2024

Headlines now
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.
Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
The Chimney of Nikola-Lenivets
In this issue, we are examining the “Obelisk House” designed by KATARSIS and built for the Arkhstoyanie 2023 festival. However, it was only finished later on, and this is why we are examining it now. It seems to us that after the “Obelisk House” appeared in Nikola-Lenivets, a dialogue and a few inner connections appeared between the temporary structures built here. These houses no longer look like “accidental neighbors”, more of which below.
​Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.
Hide and Seek
The ID Moskovskiy house, designed by Stepan Liphart in St. Petersburg, in the courtyards near Moskovskiy Avenue beyond the Obvodny Canal and recently completed, is notable for several reasons. Firstly, it has been realized with considerable accuracy, which is particularly significant as this is the first building where the architect was responsible not only for the facades but also for the layouts, allowing for better integration between the two. On the other hand, this building is interesting as an example of the “germination” of new architecture in the city: it draws on the best examples from the neighborhood and becomes an improved and developed sum of ideas found by the architect in the surrounding context.
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Frozen Magma
A competition for the creation of a public and cultural center was held in Petropavlovsk-Kamchatsky. Three architectural companies made it to the final, and we consider it important to share about the work of each. Let’s start with the winner – the consortium led by Wowhaus.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.