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​Generational Connection

Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.

10 April 2024
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Although Roman Leonidov’s new project is called “Akademicheskaya Dacha”, it has nothing in common with the proverbial Soviet dacha houses with their inevitable glassed-in verandas and time-beaten libraries, except perhaps its location. The location of this private residence is not disclosed, but it is known to be in the Moscow region, surrounded by mature trees, with neighboring “professorial” dachas of the kind that we have just mentioned. The clients, however, are a young ambitious couple.

Two important conditions influenced the concept. Firstly, the house is designed for the permanent residence of three generations of one family: the husband and wife, as well as their children and parents – all of whom should feel both their independence and their sense of unity. The second condition is the long narrow plot, on which the architects had to accommodate a large number of functional areas.

Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


The house was designed neither tall nor compact, but on the contrary, it is widely spread out in a zigzag shape, approximately covering half of the plot. This allowed for achieving a sense of privacy, as the majority of volumes remained hidden behind the trees, and also helped to achieve spatial diversity: thanks to this unusual configuration, two large courtyards were formed – the “front” one and the “family” one, with plenty of nooks and crannies for landscape design ventures. By the way, the landscape design part was also done by Roman Leonidov Studio on this project.

At eye level, there is no point from which one could take in the entire structure at a glance. Therefore, to understand the house, we will mentally circle it around.

  • zooming
    Akademicheskaya Dacha
    Copyright: Photograph © Roman Leonidov
  • zooming
    Akademicheskaya Dacha
    Copyright: Photograph © Roman Leonidov


You can enter the plot through a wicket gate or the driveway gate, which leads to a cold garage connected to utility rooms – a pantry, a cloakroom, and a laundry room. To the left of this block, there is a gallery: it shields the visitors from the weather and leads them to the front porch. Jumping ahead, it’s worth noting that there are a total of 10 entrances and exits in the house. Another function of the gallery is to balance off the mezzanine block, clad in the same larch wood, and moreover, to offer an alternative spatial experience: one can stroll along the paved path, enjoying the space, or gaze at the garden through the “frames” of the openings.

Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


The main residential block adjoins the utility wing – on the plan, it looks like a “bridge” of the zigzag. Standing at the wicket gate, one can see the guest bedroom and the kitchen/living room on the ground floor, as well as the children’s and parents’ bedrooms on the second floor. On the same side, the front courtyard with landscape compositions and a paved area is situated. From here begins a winding asphalt path that loops around the entire plot. The choice of covering is explained by the fact that the homeowner enjoys skateboarding.

Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


The path skirts the house on the left, where it is pushed to the edge of the plot as close as possible. Another technical block is oriented towards this side, inside of which are the boiler room, pantry, gym, and spa area with a sauna and hammam. The architects made this part of the estate attractive as well: a micro-terrace with a glass entrance to the gym opens onto the “backyard”, through which the second private courtyard is visible, and an accent insert made of larch planks with built-in lights is made in the fence opposite it. Instead of the lights, living plants were supposed to be here, but during implementation, it became clear that they would require too much maintenance.

Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


The “sports and health zone” connects the main part of the house with the grandparents’ domain - a spacious wing with its own kitchen, living room, and two bedrooms, from which one can step out onto a quiet veranda facing the forest park. The architects took into account the preferences of the older generation and refrained from designing floor-to-ceiling windows in this part of the house, adding clotheslines with clothespins to the external walls – a seemingly unimportant, yet at the same time very human detail.

Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


The path leads into the depths of the plot, where a gazebo and a separate house for assistants are hidden, and then returns to the two-story part of the complex – the heart of the entire composition and the focal point of family life.

On the first level of the “master’s mansion” is the living room, kitchen with dining area, and a guest bedroom, while on the second level are two symmetrically arranged children’s rooms, separated from the parents’ bedroom by a spacious and bright staircase hall with a library. From the elder son’s room, there is access to a huge terrace that stretches the entire length of the wing, facing towards the forest. It can be accessed from ground level via a spiral staircase located at the grandparents’ house – this graphic detail against the backdrop of white plaster reminds one of the  Gropius House, where the architect provided a similar separate entrance for his daughter’s room.

Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


The reverse-sloped roof above the children’s block allowed for a loft level in the rooms. The decoration of both “mezzanines” – the children’s and the parents’ – consists of paired wooden roof beams. One of the most challenging tasks was to choose paint colors for them so that the coniferous wood did not differ from the larch planks on the facades.

Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


The heart of the entire composition and the place where family members meet most often is the inner courtyard. A wide veranda, protected from the sun and rain by a pergola with a glass roof, shelters a swing, a dining area, a playground, a barbecue area, and landscape compositions. Lace-like lamps specially made for this project echo the round table made of weathered steel.

Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


The house has three main tones – light plaster, gray slate or quartzite, and bronze-toned wood. These materials, traditional for this architectural firm, help understand the structure of the house, as each functional block on the façade manifests itself with its color or texture, and pronounced horizontals emphasize the floors and unite all elements into a single composition. The dynamic lines correspond to the character of the clients – energetic people with business acumen.

Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


Metal sheets were used for the fence, which, with the neighbors’ consent, were “sewn” with the remaining larch planks. These two-layer permeable segments alternate with solid horizontal inserts.

Akademicheskaya Dacha
Copyright: Photograph © Roman Leonidov


Below, the architect himself provides detailed insights into the house (the video is in Russian).




10 April 2024

Headlines now
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Arch, Pearl, Wing, Wind
In the social media of the governor of the Omsk region, voting was conducted for the best project for the city’s new airport. We asked the finalists to send over their projects and are now showcasing them. The projects are quite interesting: the client requested that the building be visually permeable throughout, and the images that the architects are working with include arches, wings, gusts of wind, and even the “Pearl” painting by Vrubel, who was actually born in Omsk.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.