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The Fortress by the River

ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.

15 April 2024
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Firing up the Coals

In 2021, Kuzbass celebrated its 300th anniversary. By this date, Kemerovo, as the administrative center of the region, underwent significant transformations. Since 2019, a museum-theater center has been under construction here according to the Coop Himmelb(l)au project, and the accompanying educational campus designed by the “ARENA” Project Institute has already been completed. In 2021, the new terminal of the “Leonov” airport was opened, also designed by ASADOV Architects. The city’s 300th anniversary was not only used to build iconic projects; the approach to shaping the environment as a whole is also changing. For example, on the banks of the Tom River, where there were only wastelands and wooden houses not long ago, a new residential district is expected to emerge soon.



To the east of this area, the Ice Palace and the “Kuzbass-Arena” have already been built, becoming part of the Olympic Park with a promenade, pedestrian boulevard, skate park, summer theater, and a space for major urban events. Further, closer to the bridge and the intersection of Pritomsky Avenue, the “Moskovskaya Square” business district will appear with towers reaching up to 150 meters; it is currently being designed by the architectural company R1.



To the west, by the Iskitimka River, several projects are located, making this part of the city truly mixed-use: an administrative cluster, central station, philharmonic hall, justice quarter, and others. Against such an impressive background, the museum-and-theater complex will stand out, which is likely to become the main attraction in the city. In order for the functionally rich district to withstand the transportation load, the construction of a relief road of Pritomsky Avenue was completed in 2022.

To work on the concept of the last link – the modern residential complex that we are speaking about – the city authorities invited ASADOV Architects, asking them to bring metropolitan trends here.

At the opening of the Leonov Airport, I met the governor of the Kemerovo Region, Sergey Tsivilyov, and he suggested that we get involved in the project to develop the area near Pritomsky Avenue, which was already being developed by our local colleagues. Having studied their experience, as well as the peculiarities of the city, we formed neighborhoods and then maximized the number of stories. The contours are accentuated by towers reaching the maximum allowed height of 50 meters, the rest of the houses have several levels of height ranging from 4 to 15 floors. The bulk of the development faces the river, schools and kindergartens are located in the depths, and several accent towers “hold” the front of Pritomsky Avenue. We tried to both capture the spirit of the harsh Siberian expanses and contrast them with a modern structure.








Softening the Harsh Climate

The lyrical hero of Boris Grebenshchikov’s song, perhaps, was tempered by the long winter, rare sun, and scant colors of these parts:

The sky will collapse on the ground,
The grass will cease to grow —
He will come and silently fix everything,
The man from Kemerovo.


In reality, harsh climatic conditions are one of the main reasons people leave the city. And while industry becomes more environmentally friendly, the city as a whole develops, and the well-being of residents grows, the effects of global warming are not expected in Siberia any time soon.

The ASADOV Architects team attempted to make the climate of Kemerovo more comfortable using architectural means, at least within the confines of a given district. Therefore, the location and height of the sections directly depend on the analysis of wind flows and the movement of the sun.

The basis of the development consists of enclosed spaces of mid-rise residential blocks, while the “regulatory” towers prevent the formation of wind corridors. Additional protection in the future can be provided by artificial hills and landscape plantings. Schools and kindergartens are shielded by residential sections. Their location in the center of the district also provides a sense of spaciousness within the new blocks.

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Another feature of Kemerovo that is important to mention is its seismic activity, caused not only by the movement of the Salair and Kuznetsky Alatau mountain systems but also by regular explosions at the local coal mines. After the Bachat earthquake in 2013, there was even a temporary ban on the construction of high-rise buildings in the city.

The task of making a convenient master plan and interesting facades was complicated by the need to take into account the wind pattern, harsh winters, and the district’s location on the first line from the river, as well as seismicity. The blocks are formed in such a way as to avoid wind corridors, to make the environment cozy, and from the apartments to reveal views of the river and the city. Taking into account the amount of precipitation, the volumes of the houses are laconic, with no protruding cantilevers or active plastique on the facades to avoid additional cold bridges. At the same time, the facades are more detailed at eye level: this makes the environment looks friendlier and more diverse. We also took into account the overall appearance of the buildings standing on the navigable Tomsk River side.








Accents, Landmarks, and Background

Monotony is one of the main problems of Kemerovo. To achieve a variety of perspectives and apartment layouts, as well as spatial impressions, the architects used three building typologies: accent towers, landmarks, and, finally, the background development.

The visual axes are anchored by accent buildings with a height of 24 floors: they are visible from afar, they have more active plasticity and developed decor – for example, arched windows, dentils, shifts in the window grid. Derived from the accents are the dominant towers, which stand out physically due to their height of 9-15 floors. Together with the dominant towers, they form a silhouette and become landmarks. Accents are shaded by background architecture of 4-6 floors – calm, but not monotonous, as it varies the combination of colors or plastic solutions.

All three building types form a rhythmic and varied environment without visual “noise”. We introduce only two colors: terracotta “grounds” the building and white dematerializes the volumes. The upper floors of high-rise buildings are characterized by the visual consolidation of windows. These techniques create a sense of lower storey height.


No two houses here are identical; each has its own plastique or color technique. At the same time, they are united by a single design code and the “supergraphics” of the towers: the proposed brick cladding of the base and the tongs-like finish make it resemble a palisade of a fortress. This image refers to Kemerovo’s wooden past and the common image of a fortress-like house, which seems particularly appropriate here: what protects against the piercing wind and penetrating cold better than the sturdy walls of your sweet home?

The arch-like finials and white tongs reminiscent of New York’s stepped towers lead to other associations: corbel arches, gables, and the turrets of stone churches – all of these things have become quite trendy lately. However, the level of abstraction is such that, when viewed from another perspective, these elements can be interpreted as ice crystals, frost creeping on a frozen window, or perhaps snow whirls.

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Snow Lovers Society

The goal of the proposed concept is to turn Kemerovo into a pleasant city year-round. To ensure that life does not freeze inside apartments, the architects have provided scenarios that will easily integrate into residents’ daily lives and diversify or make daily routines more comfortable.

The ground floors of the buildings standing along the outer contour are entirely dedicated to commerce: this will expand career opportunities for young people, and the residents will have the necessary services available at their doorstep. Events and related businesses can also add to the overall activity: holidays, fairs, and seasonal festivals, which are unthinkable without pavilions for cafes and sports equipment rental.





The waterfront could become the main leisure area. The concept offers a possible development option: with pedestrian and bicycle paths that turn into ski tracks in winter, slopes leading down to the river, swimming and sunbathing areas, fishing piers, boat docks, and various pavilions. On the opposite bank of the Tom River is the Pine Forest Park, considered the city’s “lungs” and a place for active recreation. This park could be connected to the new “micro-district” with pedestrian bridges.



Without a doubt, apartments with a view of the river in the city center will be in high demand. It’s quite good news that this new district can become not just a collection of square meters but an example of a livable environment – with wind-sheltered courtyards, cozy and bustling streets, clear navigation, sweeping views from the windows, and various reasons to leave one’s home and go outside as well.

15 April 2024

Headlines now
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Arch, Pearl, Wing, Wind
In the social media of the governor of the Omsk region, voting was conducted for the best project for the city’s new airport. We asked the finalists to send over their projects and are now showcasing them. The projects are quite interesting: the client requested that the building be visually permeable throughout, and the images that the architects are working with include arches, wings, gusts of wind, and even the “Pearl” painting by Vrubel, who was actually born in Omsk.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.