По-русски

​Dynamics of the Avenue

On Leningrad Avenue, not far away from the Sokol metro station, the construction of the A-Class business center Alcon II has been completed. ADM architects designed the main façade as three volumetric ribbons, as if the busy traffic of the avenue “shook” the matter sending large waves through it.

28 December 2020
Object
mainImg

The building of the Alcon II business center, the construction of which was completed this fall by the Alcon Group, is stretched along Leningrad Avenue, a hundred meters from the Sokol metro station. If you drive from the center and out of the city, its façade will be on the right, shortly before the fork between Leningrad Avenue and Volokolamsk Highway: it is stretched lengthwise, and its façade consists of three large volumetric waves of a terra cotta hue.

  • zooming
    Alcon II business center on leningrad Avenue / ADM architects
    Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects
  • zooming
    Alcon II business center on leningrad Avenue / ADM architects
    Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects


Alcon II is inscribed in the front of the red line of Leningrad Avenue, and thus represents the entire business center to the rest of the city. The other part of the business center, built earlier – Alcon I – is situated behind the new building in the depth of the land site and consists of four buildings of a square plan; the final stage of the project was also done by ADM architects. This is why, when the Alcon II was considered in 2013 at one of the first architectural councils, presided by Sergey Kuznetsov, Hans Stimmann, former chief architect of Berlin, who then was a member of the council, shared that he personally visited the already-completed Alcon I in order to study the situation, and that the resulting city space, designed by ADM, including the facades and the landscape park, was quite to his liking.

The location plan. Alcon II business center on leningrad Avenue
Copyright: © ADM


It must be noted that ADM architects started working on Alcon II even earlier than on Alcon I, specifically, in 2007 – back then the client, Alcon Group, invited the architects to think about the fate of the building that existed on the site, which was a rather heavy eight-story “beam” building of the late Soviet era. In 2007-2008, the architects proposed a few options (see one of them here) but the work did not advance any further. The architects were only able to get back to Alcon II in 2012. In 2013, the project successfully passed the architectural council, and by 2014 was finally developed. The construction work resumed in 2018, and has been completed now, in 2020.

The project was implemented exactly the way it was conceived and exactly the way it was approved by the Architectural Council in 2013. Me and my coauthor, Ekaterina Kuznetsova, we believe that the building made a very good match for the architectural context of Leningrad Avenue.

I have information that the demand for the premises in Alcon II is really high; one large company is moving its offices from older buildings of the business center to this new building.


The new office center stretches along the avenue, occupying the spot of the former Soviet building and now hiding the stepped silhouettes of Alcon I buildings from the side of the avenue. Under the new building, there are 3 underground parking floors for 374 cars, and its first floor combines areas for cafes and shops with a lobby catering for two office blocks. The planning is flexible; the communication cores, just the way it should be in an imposing office building, are situated in the center of each of the blocks. The owner is planning to rent the premises out both by the floor, and in small lots. The architects proposed an unconventional solution for the central air conditioning system: the ventilation outlets face the rear façade and are concealed by glass; only dry cooling towers are installed on the roof (a similar solution was used in Alcon I).

  • zooming
    1 / 4
    Plan of the 1st floor. Alcon II business center on leningrad Avenue
    Copyright: © ADM
  • zooming
    2 / 4
    Plan of the 3rd floor. Alcon II business center on leningrad Avenue
    Copyright: © ADM
  • zooming
    3 / 4
    Plan of the 5th floor. Alcon II business center on leningrad Avenue
    Copyright: © ADM
  • zooming
    4 / 4
    Plan of the 7th floor. Alcon II business center on leningrad Avenue
    Copyright: © ADM


The top floor is fully made of glass with a very thin and sparse glazing pattern and a large margin from the edge. This margin makes spacious terraces – one can step out from the office for a breath of fresh air (the top floors of Alcon I also feature terraces because the client, Alcon Group, believes that terraces on the upper floors are one of important advantages for modern office buildings). The top floor, as Andrey Romanov aptly put it, is the “office penthouse”; the “clear” height from floor to ceiling here is 5m. But then again, the height of the other six floors is also large enough – 4.5m – which in combination with the windows reaching to the floor will let in a lot of natural light.

Alcon II business center on leningrad Avenue / ADM architects
Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects


The height of the first floor is even greater – 7m. This is more than the average height in Moscow residential buildings being designed now (where the norm for the height of the first public floor is 5-6 m).

Alcon II business center on leningrad Avenue / ADM architects
Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects


The tier of the public space – the lobby and the space of rentable infrastructure – is something that the architects designed in a particularly dramatic way. What rises above the sidewalk is just a small “straightening” band of the basement floor, no more than 10cm high, but further up, the whole 7 meters from floor to ceiling, there is tinted glass with an occasional barely visible seam. The volume of the building visually “hovers” above the ground, while the curves of the glass produce a “glamorous” high-gloss impression.

Volume-wise, the first tier of the building is divided not into two, but into three parts, which yields two passageways to the yard of Alcon I. In addition to commercial premises, the side blocks also feature lobbies, while the central block is slightly smaller in size – its contours are smooth and flowing, the space inside is free and transparent, and it only has the supports of the main framework. The pitch of the supports, white and with a round section, is 8 meters, usual for office buildings. In the first floor, these white columns are visible through the glass, further working towards creating the image of a “house on legs”, but at some places the architects are leaving the column exposed, like in the western arch of the passage, again emphasizing the ethereal character of the glass boundary.

The side blocks echo the central one in terms of being just as flexible and streamlined, but in some places, for example, in the entrances to the building and in the arches, the glass is replaced by punctured metal with tree shadow patterns.

  • zooming
    Alcon II business center on leningrad Avenue / ADM architects
    Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects
  • zooming
    Alcon II business center on leningrad Avenue / ADM architects
    Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects


The first floor with its “boutique” façade, looking like a collection of precious stones, forms the first bright impression that the building, or the whole complex for that matter, produces on the pedestrian. This space is pretty, domesticated, and bright. As the owners of the complex report, a total of 80% of the premises have already been booked up.

Alcon II business center on leningrad Avenue / ADM architects
Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects


However, the architects paid most attention to the plastique of the main six floors, the most noticeable from the point of view of the city on the whole, and the most visible to the motorists driving down Leningrad Avenue. The ledges at the side ends make the silhouette look more slender. And the main façade overlooking the avenue is gathered into three bands each two stories high. The bands of the front third of the volume undulate in large smooth waves, creating a sculptural effect. In this form, one can see the techniques of the Late Renaissance, not to say Baroque: a façade being a volumetric entity that has “thickness”, which can be “bent”. The very new building itself becomes such a “baroque façade” – a sculptural signature statement, a continuation, completion, and the representative of the business center situated behind it.

Alcon II business center on leningrad Avenue / ADM architects
Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects


“Our idea was to make the building reflect the dynamics of moving along the avenue – Aleksey Romanov says – there are cars speeding by, they raise currents of air, and our façade helps you to feel this “aerodynamics” through the architecture of the building”.

  • zooming
    1 / 4
    Alcon II business center on leningrad Avenue / ADM architects
    Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects
  • zooming
    2 / 4
    Alcon II business center on leningrad Avenue / ADM architects
    Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects
  • zooming
    3 / 4
    Alcon II business center on leningrad Avenue / ADM architects
    Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects
  • zooming
    4 / 4
    Alcon II business center on leningrad Avenue
    Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architectsCopyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects


The architect also explains that realizing the intersecting bands was quite a difficult task. The thing is that the cantilevered ledges of the bands had to be heat-insulated at top and bottom, at the same time maintaining the integrity of the horizontal lines – that is, not turning the bands into a kind of “pleated pattern”, but keeping up the feel of matter, slit horizontally and undulating in the currents of air. The architects solved the problem by insulating the top and bottom from the inside, drawing diagonal chamfers of insulation. The unit turned out to be quite sophisticated.



Just like in the preceding buildings of Alcon I, the ventilation facades of the new building are coated with ceramic tiles of rich terra cotta color, which ensures the integrity of the complex, and is to some extent resonant with the colors of the Leningrad Avenue, yet even more resonant with the colors of the towers, built nearby in the early 2000’s by Ostozhenka. One way or another, terra cotta is the trademark color of Alcon. However, in this new building, the proportions are initially more slender, and, in addition, they are accentuated by the dual vertical rhythm of the piers. The verticals alternate with thin stripes and smoothly change their width on the bands’ ledges, accentuating the form – as if the matter stretches, thinning out and becoming “more glass” on the ledges.

Besides, the relief of the terra cotta façade panels is different from Alcon I – it is slightly wavy and looks like some variation of the classical Dorian and Ionian architectural orders, “multiplied” in height. Yet, at the same time, the relief of the panels echoes the “wave idea” on the façade, and with the “agility” of the building’s plastique on the whole.

Thus, Alcon II business center turned out to be quite noticeable both from the architectural and town planning standpoint. One must admit that it is a great, highly contemporary, or even, as Andrey Romanov aptly put it, futuristic replacement of the old Soviet building, which did not belong on one of the main thoroughfares of the nation’s capital. Moreover, one must recognize in this day and age, when Moscow’s architectural design market is dominated by high-rise housing projects, a new office building in a high-profile location, low-rise in the overall context of the avenue, yet at the same time different in its plastique and eye-catching architecture, is definitely a phenomenon, which livens up the city, and which is worthy of attention.

28 December 2020

Headlines now
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.