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​Architecture as an Educational Tool

The concept of a charity school “Tochka Budushchego” (“Point of the Future”) in Irkutsk is based on cutting-edge educational programs, and is designed, among other things, for adapting orphaned children for independent life. An important role is played by the architecture of the building: its structure and different types of interconnected spaces.

14 September 2020
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The building of the “Point of the Future” school, which was completed and put into operation in February 2020 in Irkutsk, was constructed in accordance with the architectural concept developed by the Danish architectural firm Cebra and the Russian UNK project, which won in the international competition 2015 [Cebra the head of the consortium, UNK project their Russian colleagues, Vega Landskab the landscape designers, Niras the engineers]. 

The project of the school building is a truly high-profile one, its ideas are indeed progressive: modern educational methods, no screening based on the applicants’ abilities – everyone who will be the first to submit the application will be taken in – and 15% of adopted children, including the ones with special needs, whose families [large families of so-called “professional parents – editor’s note] will live in a settlement constructed next to the school building: “for the first time in Russia, the school program will contain elements of inclusion and social adaptation”. In short, “Point of the Future” must give the best to the unluckiest ones: modern education, based on individual approach and high level of adaptability, to the orphans of one of the problem regions of the Russian Federation.

The idea of a progressive school that would host orphaned children was proposed back in 2011 by the TV anchor Tina Kandelaki; she also became the initiator of this project, whose development in specifically the city of Irkutsk has to do with the social situation in this region. In 2017, there were more orphans in the Irkutsk region than in other regions of the Russian Federation, now the statistics are improving, but not very quickly. The project was “announced” in 2013; at the same time the development of the program began. According to Tina Kandelaki, “For Russia, this project is like designing Google headquarters for the US.”

It is expected that the instruction in “Point of the Future” will be free; even the families living on the campus will not have to pay the rent – just the utility bills. The whole thing operates without any federal funding because the school is a 100% private charity project: both construction and support of subsequent operations are privately sponsored by the “Novy Dom” (“New Home”) foundation, founded by the native of the Irkutsk region, Albert Avdolyan. The building construction already cost 6 billion rubles. The first academic year in “Point of the Future” began September 1, 2020, the applications having been collected back in April. The school supports a full instruction cycle from the junior school up to senior high, and, with all of its progressive methods, fully complied with all the appropriate standards of the Russian Federation, both educational and construction-wise. It is expected that in three years, by 2023, the overall number of students will be increased up to 1022 people, about 150 of them being adopted children. The houses will be hosting 20 families.

“Point of the Future” educational complex
Copyright: Photograph« »Point of the Future"


The educational program, just like the program of teacher training, was developed by the center of educational program development “Umnaya Shkola” (“Smart School”); the head of the center, Mark Satran, also took part in preparing the brief for the architectural competition, which he created in collaboration with KB Strelka.

Mark Sartan, the head of the center for developing educational systems “Smart School”

When developing this architectural project, we set for ourselves the task of making the building itself an educational tool. For our colleagues from the Danish architectural company CEBRA, it was an inspiring challenge. In the course of joint workshops, they instantly responded to queries, together with us they worked out daily educational scenarios in the designed space and accordingly adjusted their engineering and planning solutions.

The most challenging thing was to fit our architectural and educational ideas into the Procrustean bed of Russian norms. In the extremely regulated kindergarten, in order to meet external requirements, individual group cells had to be fenced off and connected by corridors, which contradicts all modern trends. In the other buildings, we were able to preserve multiple links and create public spaces saturated with educational functions, adjusting them in accordance with the required standards.

The building was supposed to embody the idea of unity, fundamental for a charity project, to help the child make choices, inspire him to act, reflect his growing up, teach him to responsibly manage space and his education. The architects proposed a circle of separate buildings under a unifying roof, where the child, as he grows up, moves from one building to another, and the daily route can be chosen from many options. The result is a complete reflection of the educational idea in the architectural and spatial solutions.


The Danish architectural company CEBRA, which headed the victorious consortium, specializes, among other things, on modern school buildings, which match new educational concepts, or even, as the Danes put it, “on creating spaces that can be education in themselves”. 

“Point of the Future” educational complex
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The proposed concept, according to the architects’ description, was not subjected either to any specific set educational program, or much less to any specific educational paradigm – rather, it was about “following the educational vibes as such”. The main idea is flexibility and diversity; what’s remarkable is the fact that some kind of “gravitational attraction” between different functions arises, just like “between stars in a galaxy”, which is highly conducive to growth and development. 

All of this is accurately described in a video presentation of the project on the Cebra website: 



Carsten Primdahl, the co-founding partner of CEBRA and the head of the competition-winning consortium

The competition program was all about finding a new type of school based on the knowledge and logic of modern research in the field of teaching science.
We achieved that by creating recognizable architecture with a strong identity. Several volumes with gable roofs are grouped into a ring cut from the outside like a circle: as if several individual buildings were connected by a common roof. Large outlets of eaves, protecting from sun and rain, will allow people to use the external space at different times of the year. In addition, the educational program of the classrooms, according to our plan, should be continued in the space of the center of the ring, in the green courtyard/patio: it should become active, lively and busy. Quiet contemplative classrooms set off the activity of the center; on the other hand, they are grouped along the outer contour, taking advantage of the beauty of the surrounding landscape.
We see architecture as a learning tool in itself; it can stimulate our ability to learn. I recommend checking out WISE, an e-book by CEBRA’s research department, and our sensor-based smart school design technology called Common Sense.


“Point of the Future” educational complex
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Recapping the words of CEBRA’s Carsten Primdahl, one could say that the school develops from the inside out, accumulating the energy of learning, and spilling the children’s vigor over to the yard in search for the catalyst for the educational process, mesmerized by the beauty of the surrounding landscape. The surroundings are indeed beautiful: the land site is situated next to the south border of the city and the Cherguteevsky Bay, behind the airport and the Solnechny District, which is considered to be the most prestigious in town, yet, unlike Solnechny, this place, located a little bit more to the south, is ruled not by five-story buildings, but by villa communities. Therefore, the school is mostly surrounded by stone houses with pitched roofs that echo the zigzagging silhouette of the school, both fitting in nicely with each other. 

“Point of the Future” educational complex
Copyright: Photograph« »Point of the Future"


“Point of the Future” educational complex
Copyright: Photograph« »Point of the Future"


The eaves, mentioned by Primdahl, are supported by slender columns – essentially, these are porticos that perform two tasks: protecting the windows from direct sunlight, canceling the need for extra blinds and curtains, and developing as much as possible activity in this space, intermediate between the school and the landscape, protected from the rain, yet open to fresh air. Most of us know how important a schoolyard is, even as a part of a standardized project – things we learned there back in the day! And here yet another transitional link appears, which, in addition, resonates with the history of classical education, because let’s remember how the great philosophers of antiquity taught their disciples! Walking in fresh air in the shadow of a portico!

“Point of the Future” educational complex
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Copyright: Photograph« »Point of the Future"


“Point of the Future” educational complex
Copyright: Photograph« »Point of the Future"


The spaces underneath the columns are quite numerous, located along the inner and outer contours, which makes the school look like an antique town gathered in a ring – or like a European college, built around a yard with galleries (at this point, not so much Aristotle as Harry Potter come to mind). Incidentally, unlike the Skolkovo Institute, designed by Herzog & de Meuron, where the chessboard alternation of rectangular volumes and similar yards is enclosed in a pristine circular border, here all of the contours are designed deliberately asymmetric, leaving a lot of “room to breathe” and accentuating the likeness to a mini-city. When I asked the CEBRA architects about the similarity between their project and Herzog & de Meuron’s, they answered that the projects by the Swiss “star” architects are worthy of admiration, yet the CEBRA concept rests upon the company’s own research, which began in its works of 2006-2008, and in addition, all the similarity comes down to the circular plan and the gable roofs, the two projects being totally different otherwise.

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The project is of colossal complexity and scale, unprecedented for Russia. Compared to Moscow, this is a school of the level of Moscow’s Khoroshkola and Letovo, but “Point of the Future” is still larger and is located very far from the nation’s capital, in the remote city of Irkutsk. Therefore, I think it was a very lucky thing that our colleagues from the Danish CEBRA, an architectural company with experience in this area, developing new trends in the field of education, were involved in this project – their portfolio already included implemented projects of modern schools. We often called each other, discussing the concept; the main idea belongs to the Danes, but I must say that we also managed to add something. This work was mutually beneficial; it provided us with useful experience in the area of designing school buildings.

The image of the building is based on two major themes: since an important starting point of the project was to create a place in which orphaned children would be comfortable learning, the circle is a kind of wall that should create an effect of being securely protected – it is very important for these children to feel safe. The second idea is a house, hence the contour of the pitched roofs; it is important for children to perceive school as a second home.

The spatial concept is based on two key features of the new model of education: it should instill in people responsibility, primarily for themselves, independence, and, most importantly, the ability to educate themselves. A person learns throughout his entire life, in modern society this is more and more relevant, all the time you have to master something new, more and more cross-platform knowledge is required. Multifunctional and flexible are the two key words of the modern world, and we have incorporated them into the curriculum of this modern school. We even have different windows, somewhere small, somewhere large. Children are immediately taught to live, work, study, and interact in complex spaces. A significant part of the training does not take place according to the traditional model “teacher at the blackboard and children at their desks”, but differently, for example, in a playful way; children learn and teach each other, even during the recesses.

We highly value this project, and have put in a lot of effort to ensure that, in the course of further development and forced streamlining of the budget, we take care of both the educational concept underlying it, and the ideas proposed by our Danish colleagues.


“Point of the Future” educational complex
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“Point of the Future” educational complex


“Point of the Future” educational complex


Revising the concept, created by by joint efforts of CEBRA and UNK project, was first of all due to the financial crisis: the ruble’s rate fell, and the architects had to streamline the costs by about 20%, the main difficulty being that you could not just go ahead and sacrifice this or that part; you had to streamline the budget in a smart way, keeping up every essential component. At some places the architects had to replace the building materials. Particular attention was paid to the “snow pockets” in the hollows of the gable roofs. UNK project supervised the entire project from the design stage down to the last interior detail, taking on the function of the general contractor.

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“All of these things were far from easy – Julius Borisov shares – In addition to the need for streamlining the budget, we still had to observe all the construction regulations, including making the school complex earthquake-resistant up to 8 points. The school had to be super-safe. That’s when our experience came in very handy, as well as the fact that we have all sorts of different divisions in our company, from engineering to interior design.”

“Generally, our Russian colleagues were completely loyal to the original project – Carsten Primdahl says – Possibly, if you compare the end result to the competition concept, there are some project solutions and some aesthetic subtleties that CEBRA would have realized in a different way. However, I consider the overall result to be a success; upon closer inspection I would say that the columns, the skylights, the colors and textures, as well as the building materials that were eventually used, may raise a few questions. I can see that the program of spatial organization supports the principles of education, based on students’ activity, but it is difficult for me to evaluate the program on a more detailed level because I am not that closely familiar with the end project and the ideas that ultimately constituted its basis.

“Point of the Future” educational complex
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One of the problems was that we essentially had to combine two types of schools – a new-type school and a traditional one, subjected to outdated regulations; we had to observe the code that by default meant inefficient use of space. I believe that these standards require revision and updating, this would make the construction more economical and would reduce the running costs of maintaining the building, and, consequently, gain more funds for the training itself” – the architect emphasizes.

The interiors of the school, as was already said, are based on the idea of flexibility and combining different spaces, from traditional classrooms to various halls and atriums with numerous benches, meant to enhance communication and help students to spend more time together. The pristine look and some dryness of the original project, almost completely white and monochrome, was livened up by inclusions of positive light green, orange, rich yellow.

Julia Tryaskina, UNK Project

In the CEBRA concept, the interiors were minimalist and even ascetic, built on neutrality and lack of color, which is not typical for Russia. What we added was based on one of the ideas of the school complex – namely, that the interior grows with the child, and the scale and emotional perception. In the baby spaces, we added textures with which they could interact. We gradually increased the scale of the interior according to the child’s age. We also added a bit of color, accents, and murals. But these are just accents, in general we followed the concept, reviving and emphasizing a few things here and there. 


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Indeed, these inclusions serve as highlights on the wooden benches of the amphitheater, as well as in the frames of various windows and furniture. The overall tone of the walls is white, which makes the spaces look visually larger; it is further highlighted by linear lights on the ceiling, they also complement the skylights.

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Inside, there is a swimming pool and a gym, as well as fully equipped classrooms.

Irene Belyanova, the President of the charity foundation “New House”

In February, we received permission to put the educational complex into operation. The “Point of the Future” building is essentially not one, but six buildings positioned in a circle and united by one common roof. It is not only modern and comfortable, but also reliable, because we are talking about children here.

In the kindergarten classrooms, large and small windows are placed at different heights so that light evenly falls into the classrooms at any time of the day. There are practically no corridors in the complex – all large halls, passages, and open spaces. We have everything so that children could better communicate, study, and rest.

The project of a Danish company was taken as a basis, and the Russian specialists adapted it taking into account local specifics. For example, they took into account the high seismic activity of the region and reinforced the bearing structures. In Irkutsk, temperatures are low in winter and high in summer, so the building got extra insulation.

I really wanted the complex to have some local flavor about it. We live in a forest region here. Therefore, wooden benches from the Scandinavian countries were replaced with benches made of Siberian wood. We have been looking for Irkutsk craftsmen for a long time, who would make theme playgrounds for kids. As a result, we got unique gaming complexes that also perform an educational function. A large landscape park has already begun to be laid out around the building. It will consist mainly of native plants.


In a word, the Irkutsk school is a progressive and large-scale educational initiative. It is pointed to the futures with the best practices that are supported by architectural solutions, carefully carried over from the original concept to the final implementation, despite all the difficulties caused by the financial crisis. Another thing that comes to mind is the Tsarskoe Selo Lyceum with all of its history – and it doesn’t matter much that the Lyceum had a corridor – something that the new project is studiously trying to get rid of. Two hundred yards have passed, new methodologies have come around, yet what has remained in changed is the hope that new education will help to raise better people: new children will grow up, and learn how to make a better place. Yes, there is one thing about enlightenment that never changes: there must be hope.

14 September 2020

Headlines now
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Arch, Pearl, Wing, Wind
In the social media of the governor of the Omsk region, voting was conducted for the best project for the city’s new airport. We asked the finalists to send over their projects and are now showcasing them. The projects are quite interesting: the client requested that the building be visually permeable throughout, and the images that the architects are working with include arches, wings, gusts of wind, and even the “Pearl” painting by Vrubel, who was actually born in Omsk.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.