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​The Living Growth

The grand-scale housing complex AFI PARK Vorontsovsky in Moscow’s southwest consists of four towers, a “slab” house, and a kindergarten building. Interestingly, the plastique of the residential buildings is quite active – they seem to be growing before your eyes, responding to the natural context, and first of all opening the views of the nearby park. As for the kindergarten building, it is cute and lyrical, like a little sugar house.

06 April 2021
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AFI PARK Vorontsovsky is situated between Leninsky Avenue and Profsoyuznaya Street. Its name unambiguously highlights one of the most attractive features of the complex, the proximity of the famous Vorontsovsky Park, described by Leo Tolstoy in his “War and Peace”, and other works by Russian authors. The park – a historical relic and a popular place for recreation – is situated within a walking distance from the new complex. Another advantage of this location is the fact that Moscow’s southeast is a prestigious and environmentally pure area in itself, having a lot of educational facilities in it, including the country’s top universities, and the famous Gymnasium 1514, which is in Moscow’s top ten schools up to this day. 

The land site is rather large – 3 hectares – and elongated. It stretches diagonally, from northwest to southeast, between the Akademika Chelomeya and Arkhitektora Vlasova streets. On the side of Akademika Chelomeya Street, it is curbed by residential houses with urban infrastructure, cafes and shops in the first floors – partly because of this, the buildings of AFI PARK Vorontsovsky, whose lower tiers also will include shops, cafes, drugstores, and boutiques, gravitate gravitate towards this side of the territory, while from the opposite side, along the southeast border, stretches a green private yard, separated from the Vlasova Street by a fence. The layout idea is supported by an about 4-meter height drop: the northwest part of the territory not only adjoins the busier city street, but is also situated higher relief-wise, while the green strip corresponds to the smooth slope.

The master plan. AFI Park Vorontsovsky residential complex
Copyright: © ADM


Thus, the six volumes – five residential buildings from 12 to 25 stories high, and the kindergarten building – are lined up along Chelomeya Street. The composition of volumes inside the complex and even their very plastique are designed in such a way as to open up as many as possible panoramic views of the Vorontsovsky Park. Nearest to the park are two dark brick houses with bold recognizable silhouettes, looking like sails. This is the topmost quality housing here that provides the best views. Along the street, there is a 12-story “slab” house of light-colored brick. The space between the “sails” and the “slab” is occupied by a three-story kindergarten. The site is completed by two brick towers of a more austere silhouette. In their bottom parts, the “sail” houses are complemented by a stylobate of a complex shape with a zigzagging outline on the plan, which responds to the rounding of the land site. The stylobate will host shops and a restaurant with a terrace on the roof. 

The overview from the side of Arkhitektora Vlasova Street. AFI Park Vorontsovsky residential complex
Copyright: © ADM


The dramatic silhouettes of the “sail” houses have quite a functional rationale. Due to the fact that the Vorontsovsky Park lies not directly beneath the windows but a little diagonally to the left, the houses in their upper parts make a twist, crumbling into bay windows, so as to ensure the maximum amount of panoramic views of the park. The bay windows stand out further and further, forming a dramatic line of the corner that looks as if it had been “pulled aside”. From a distance, it looks like a smooth curve, but from a close range you can see the ledges of individual modules. The relief of these “drawn” bay windows looks particularly interesting when viewed from the ground.

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    AFI Park Vorontsovsky residential complex
    Copyright: © ADM
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    The overview from the park. AFI Park Vorontsovsky residential complex
    Copyright: © ADM


The finish, consisting of brown bricks with multicolored inclusions in combination with wide windows reaching to the floor with dark-gray sashes, gives the houses a certain “loft” look, but the rigorous loft grid is only used in the bottom floors. From the tenth floor up, dynamic twists and turns begin. The form takes on an illusion of agility of a cascade, combined with clear-cut cell structure – the sophisticated design of the whole, where each ledge is different from the preceding one, upon closer inspections turns out to be algorithm-based and predictable, because the main underlying principle is subjugated to consecutive logic.

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    A section view. AFI Park Vorontsovsky residential complex
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    A section view. AFI Park Vorontsovsky residential complex
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    AFI Park Vorontsovsky residential complex
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The relatively small height of the “slab” house is determined by the insulation requirements of the neighboring buildings, while its elongated configuration called for a livelier plastique. Eventually, the 12-story house ended up being the most dynamic element in the complex: from the side of the yard, it is based on a spiral motion, and the facade looks as if it was rocking – one upper corner reaches out to the right, and the “antagonist” corner on the other end reaches out to the left. The resulting shape is slightly reminiscent of a propeller blade, and, it must be noted, that the whole of it, just as the plastique of the towers, is formed by the bay windows and the protruding cells of the apartments. Wherever their steps get wider at the bottom and narrower at the top, each apartment gets a small open-air balcony with a glass barrier; there is a cantilevered structure above the first floor. From the side of the yard, the house becomes a plastique event, a visual “hub” of sorts, which connects the two north towers with the two south ones. However, its outer facade, which faces the city, unlike the yard one, is rigorous and pristine, because it “holds” the street line.

View from the yard to the low-rise building. AFI Park Vorontsovsky residential complex
Copyright: © ADM


The sails and the slab essentially present two different typologies. Still another variant is presented by the towers that close the site from the opposite side. They are faced with the same dark brick as the “sails”, thus flanking the light-colored slab. Due to the fact that the tower do not directly contact any bright accents in the surrounding city space, their silhouette is more reserved, yet the facades still have some certain dynamics about them. In the top part of the facades, the windows are larger, glass is more abundant, and the brick grid is finer, while in the bottom part, on the other hand, the piers are thicker and more numerous. Curiously, this effect picks up momentum gradually, the houses opening up smoothly, a little bit like treetops. Accordingly, the floor space of the apartments gets bigger as well – I have an urge to call it “penthouse gradient”, carefully drawn by the architects in the plans, reflected in the facade patterns. Since the silhouettes of the towers gradually grow wider towards the top, the architects jokingly call them “wineglass” houses.

A front view of the “Wineglass” house. AFI Park Vorontsovsky residential complex
Copyright: © ADM


There are plans for equipping all of the houses with smart electronic systems that will be available for the residents via a mobile application from any point on the globe.

The complex also includes a kindergarten, whose imagery is significantly different from that of the residential houses. Its three-story building faces the Akademika Chelomeya Street, standing between the group of “sail” houses and the “slab” house. The asymmetric and differently sized square windows are reminiscent of Swiss cheese; the light-cream color of the walls brings up associations with a lump of sugar, and the pitched roofs bring in a note of North-European coziness, and a game element, which is just the thing for a kindergarten. To some extent, the volume of the kindergarten looks like the antipode of the “moving” and “growing in front of our eyes” plastique of the residential houses, as if it were one of the “old” houses that survived into the present amidst the new development. Partially, this is the effect that the architects wanted to create, based on the conviction that city space looks better when it is diverse scale- and typology-wise, looking a bit like a historical town that was naturally formed over different historical epochs. Without historical stylization, of course.

The welcoming glass lobby and the perspective portal of the entrance demonstrate transparency, unusual for such a facility. The first floor from the side of the yard is still more transparent: a broad stained glass window underneath the cantilever provides an opportunity for looking out to the yard from the inside, up to complete immersion.

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    The kindergarten. AFI Park Vorontsovsky residential complex
    Copyright: © ADM
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    The kindergarten yard. AFI Park Vorontsovsky residential complex
    Copyright: © ADM


The landscaping project is based on the specifics of the site, and is aimed at providing the residents with two main things that are deemed necessary in a modern housing complex: safety and diversity.

Top view of the yard. AFI Park Vorontsovsky residential complex
Copyright: © ADM


The spiral path winds among workout spaces, playgrounds, and pergolas, “quiet” and “noisy” places, connecting the elements of the elongated yard into a single whole and creates diversity of viewing angles and impressions. Jogging and cycling infrastructure is also provided.

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    AFI Park Vorontsovsky residential complex
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    Overview of the playground. A detail. AFI Park Vorontsovsky residential complex
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    AFI Park Vorontsovsky residential complex
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    AFI Park Vorontsovsky residential complex
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The outdoor furniture, which forms cozy little corners for talking and contemplation, the quaint paths of round stones, and the thought-out lighting are meant to make the yard attractive at any time of the year, and suitable for the recreation of residents of all ages. The “club” atmosphere, set by the architecture, is observed in all parts of the complex.

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    AFI Park Vorontsovsky residential complex
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    AFI Park Vorontsovsky residential complex
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    AFI Park Vorontsovsky residential complex
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In 2020, the architects completed the P stage – the complex is already in construction.


06 April 2021

Headlines now
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.